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Architonic ID: 20017637
Year of Launch: 2018
The Voxel Chair presents a unique structural shape, angular and faceted, only possible due to a production by injection molding. Its weight is distributed in a balanced way due to its smartly designed shape. Its lightweight body makes it easy to transport and arrange. These chairs can be stacked on top of each other, thus saving a considerable space when they are stored. It is a fine complement for awide range of ambiences; being suitable for diningrooms, meeting rooms, celebrations and lecture halls, or just for seating outdoors in amagnificent, sophisticated space. The Voxel chair has achieved a beautiful balance between form and function.
Concept
The Voxel chair is a minimal simple yet volumous mono-bloc polypropylene stacking chair that is faceted just in the perfect places for comfort, just in the right angles for hyper-strength, imbuing the correct creases for beauty, and just the few merging and converging lines for purity.
This product belongs to collection:
Base plastic, Plastic, Seat plastic

www.vondom.com imagenes certificados general ENG Fire retardant Polypropylene

www.vondom.com imagenes certificados general ENG ISO VONDOM

www.vondom.com imagenes certificados 51033 ANSI BIFMA X5.4-2012 VOXEL CHAIR EN

www.vondom.com imagenes certificados general ENG Scratch Abrasion Lacquered

www.vondom.com imagenes certificados 51033 UNE EN 581-1-2 51033 certificacion-espa ol

www.vondom.com imagenes certificados 51033 ANSI BIFMA X5.4-2012 SILLA VOXEL ES

www.vondom.com imagenes certificados general ENG LED Lighting

www.vondom.com imagenes certificados general ENG UVI

www.vondom.com imagenes certificados general ENG Fire retardant Polyethylene

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.