


Architonic ID: 1472519
SKU: F-350
Year of Launch: 2017
F-350
Easy chair (DISCONTINUED MODEL)
Performance
Base in chromium. Additional magnets available to connect several easy chairs.
Upholstery
Fire-retarding polyether foam.
Fabric requirements
410 cm (complete) 150 cm (inner side) 280 cm (outer side)
Height 88 cm
Width 92 cm
Depth 80 cm
Seat height
Weight 27 kg
Concept
“I was thinking of a design that embraces my philosophy of sensual minimalism and repetition. The Phaze armchair was the result!” /designer Karim Rashid
An armchair that embraces you, providing generous personal space. Several linked together create a beautiful, undulating shape.
Easy chair. Base in chromium. Self-centering mechanism as option. Additional magnets available to connect several easy chairs.
This product belongs to collection:
Central base, Closed base
Seat and backrest upholstered, With armrests
Contract, Hospitality, Residential

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.