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About this product
Architonic ID: 20161685
Year of Launch: 2019
With Fendo, Stefan Borselius have managed to actually compress comfort! The seat that bends upwards and the rounded backrest, gives Fendo the comfort of a real armchair. The actual size and the space between seat and backrest give a dainty look of a small chair.
“The aim was to create a cosy, comfortable chair that provides maximum comfort without taking up a lot of space. The gap and division between the seat and back are the elements that give this chair its distinctive character. And that’s also the reason for the name of Fendo – a word that means slit or gap in Esperanto. The idea behind the design of this chair is for it to work just as well around a dining table as it does in a conference room, lounge, waiting room or lobby – either on its own or in a group.” /Stefan Borselius
Armchair. Frame on wheels, in chrome, white lacquer (RAL 9016) or black lacquer (RAL 9005).
Width 55 cm
Seat Height 45 cm
Depth 56 cm
Weight 10 kg
Height 76 cm
This product belongs to collection:
Specifications
Material
Base metal, Metal
Variants
1
You can visit the product page for these variants—just click on them!
Certifications & sustainability
www.skandiform.se media 5397 mobelfakta-fendo-ks-251
Downloads
3
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Designers
Stefan Borselius
Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.