


Silver Table
Architonic ID: 1256609
Year of Launch: 2014
Size: W 200/309.6cm x D 140cm x H 72.5cm
Concept
This oval dining or conference table can be extended with two extra leaves, while the frame stays in the same position. The table was originally crafted by cabinetmaker Niels Vodder in Brazilian rosewood to be displayed at the Copenhagen Cabinetmakers’ Guild Exhibition in 1948. It was subsequently made in two different wooden materials with a darker top and lighter frame.
The tabletop has 30 inlays of Sterling silver that have inspired its nickname, the Judas Table. The table is classic and simple in its shape but also exclusive and extravagant because of its fine details such as its silver inlays, that are strewn across the tabletop like a blanket of stars.
The positioning of the silver inlays is far from coincidental. They clearly indicate whether the table seats 4, 6, 8 or 10 people. With the two additional leaves the table seats 14 people.
The Silver Table is available in three variations. The first variant is in walnut as it was originally displayed. The second, comes with a teak tabletop on a frame of oak. And the third variant is entirely in oak. Furthermore, the table can be ordered with or without the silver inlays.
This product belongs to collection:
Base solid wood, Tabletop solid wood, Wood

Denmark
The Danish designer, architect, and interior architect Finn Juhl is today primarily known for his furniture designs, despite his contributions to all three fields. He is one of the most prominent Scandinavian furniture designers, and, along with Arne Jacobsen, one of the most important representatives of Danish design. Finn Juhl: a biography Finn Juhl was born 30 January 1912 in Frederiksberg. Under pressure from his father, he went to study architecture at the Royal Danish Academy of Fine Arts in Copenhagen from 1930 to 1934. Subsequently, he worked with the renowned architect Vilhelm Lauritzen, who himself contributed significantly to Danish architectural modernism. Juhl then began to teach interior design at his alma mater in Copenhagen, and soon after that founded his first design studio. In the 1940s, he also taught at the Frederiksberg Technical School and so began to influence the next generation of designers through his tutelage. In 1942, Juhl designed a house for himself, which is still known simply as Finn Juhl's House. In 1951, Juhl made his debut in the United States at the Good Design Show in Chicago and also at the Museum of Modern Art in New York. In both 1954 and 1957, he received significant recognition for work he exhibted at the Milan Triennale. He was then given the task of designing several pieces of furniture for the Danish Embassy in Washington, D.C. and for the offices and aircraft interiors of Scandinavian Airlines. During the 1950s, Juhl was appointed the interior architect of the Trusteeship Council Chamber inside the New York headquarters of the United Nations, where he designed the chairs for the organisation's deputies. Other well-known designs by Juhl include a porcelain dinner set for Denmark's Bing & Grondahl, refrigerators for General Electric, and glassware for Georg Jensen. Finn Juhl: Poet Sofa The Poet Sofa was designed by Finn Juhl for his own house in 1941; Juhl designed the sofa along curving organic lines, with armrests which seem to softly embrace the sitter. The hand-stitched sofa became a design classic in the 1950s, when it was discovered in America during the Scandinavian design craze. Finn Juhl: 45 Chair Designed in 1945, the 45 Chair by Finn Juhl signified a break with existing traditions in chair design. The main feature of the design is the freeing of the seat and the backrest from the frame of the chair itself. The result is a simple, elegant and remarkable chair which brought Juhl enormous recognition, making him world-renowned and helping to popularise Danish design the world over. © by Architonic