


Sideboard
Architonic ID: 1177785
Year of Launch: 2012
(w/ tray unit)
Size: L 176,5cm x W 46.7cm x H 89.5cm
(w/o tray unit)
Size: L 176.5cm x W 46.7cm x H 89.5cm
Concept
After Finn Juhl’s rise to stardom in the American design circles around 1950, he became increasingly inspired by his American colleagues- Charles Eames in particular. Up until then, wood had predominantly been his preferred material but at this time he gradually started experimenting with steel as well.
This newfound simplicity with its straight lines became evident in his designs of desks, dining tables, coffee tables, benches, sideboards and sofas for the Danish furniture manufacturer Bovirke. These designs, with their burnished steel frames and wooden toes, were Finn Juhl’s response to the criticism he had received in terms of his artsy sculptural designs and exclusivity.
Finn Juhl’s simple and beautiful sideboard from 1955 combines exclusive wooden materials with the colors from Goethe’s color wheel.
The sideboard is manufactured with a veneered corpus in teak, oak, walnut or Oregon pine. The sliding doors are available in teak, oak, walnut or Oregon pine veneer or painted either white/yellow or white/light blue. The frame is available in burnished steel or painted black, orange or light blue. Furthermore, the sideboard comes with or without a tray unit with six drawers in a warm or cold range of colors.
Base metal, Metal, Structure engineered wood, Structure solid wood, Wood

Denmark
The Danish designer, architect, and interior architect Finn Juhl is today primarily known for his furniture designs, despite his contributions to all three fields. He is one of the most prominent Scandinavian furniture designers, and, along with Arne Jacobsen, one of the most important representatives of Danish design. Finn Juhl: a biography Finn Juhl was born 30 January 1912 in Frederiksberg. Under pressure from his father, he went to study architecture at the Royal Danish Academy of Fine Arts in Copenhagen from 1930 to 1934. Subsequently, he worked with the renowned architect Vilhelm Lauritzen, who himself contributed significantly to Danish architectural modernism. Juhl then began to teach interior design at his alma mater in Copenhagen, and soon after that founded his first design studio. In the 1940s, he also taught at the Frederiksberg Technical School and so began to influence the next generation of designers through his tutelage. In 1942, Juhl designed a house for himself, which is still known simply as Finn Juhl's House. In 1951, Juhl made his debut in the United States at the Good Design Show in Chicago and also at the Museum of Modern Art in New York. In both 1954 and 1957, he received significant recognition for work he exhibted at the Milan Triennale. He was then given the task of designing several pieces of furniture for the Danish Embassy in Washington, D.C. and for the offices and aircraft interiors of Scandinavian Airlines. During the 1950s, Juhl was appointed the interior architect of the Trusteeship Council Chamber inside the New York headquarters of the United Nations, where he designed the chairs for the organisation's deputies. Other well-known designs by Juhl include a porcelain dinner set for Denmark's Bing & Grondahl, refrigerators for General Electric, and glassware for Georg Jensen. Finn Juhl: Poet Sofa The Poet Sofa was designed by Finn Juhl for his own house in 1941; Juhl designed the sofa along curving organic lines, with armrests which seem to softly embrace the sitter. The hand-stitched sofa became a design classic in the 1950s, when it was discovered in America during the Scandinavian design craze. Finn Juhl: 45 Chair Designed in 1945, the 45 Chair by Finn Juhl signified a break with existing traditions in chair design. The main feature of the design is the freeing of the seat and the backrest from the frame of the chair itself. The result is a simple, elegant and remarkable chair which brought Juhl enormous recognition, making him world-renowned and helping to popularise Danish design the world over. © by Architonic