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Architonic ID: 20739049
Year of Launch: 2021
A punk drummer, an English teacher and a jazz guitarist: an unlikely trio? No gentlemen, the Police.
That is, the musical equivalent of this work by Giuseppe Viganò, born from the encounter between three equally heterogeneous ingredients: a modular design, a micaceous structure and glass or wooden shelves. Just as the name of the British band immediately evokes the poignant and passionate tango that made more than one generation sing, the name of Viganò refers to all the microscopic details that are needed to create such a unique piece of furniture. The composition, the balance, the disarming juxtaposition of materials, the composure. Roxanne blends all these notes into a riff that no one would ever associate with a hit. Nevertheless...
Concept
The Roxanne library was born from the creative genius of Italian designer Giuseppe Viganò.
It is a tangible representation of how sometimes totally different materials can give life to a furnishing accessory with a refined, elegant and eclectic design. Roxanne is structured in height, thanks to the possibility of composing and joining shelves of different sizes and colours.. Thanks to their height, the available uprights can meet the living requirements of any flat, house, living room or room.
This product belongs to collection:
Glass, Metal, Structure glass, Structure metal

Italy
Giuseppe Viganò began his career in the field of interior design by working for prestigious showrooms in the Brianza area. His skills quickly led him to become an art director, taking on responsibilities such as organizing retail spaces, selecting products, designing displays, and managing staff. It was through this experience that Viganò came to understand the tastes, needs, and preferences of clients, allowing him to shape his own vision of design. In 1988, he began working independently, and in 2012, he founded Studio Viganò in Lissone, in the province of Monza-Brianza. Viganò's work spans various areas of design—not limited to furniture design alone, but also extending to concept development, communication, temporary installations, and interior design. From his early work experiences, Viganò developed a keen ability to observe and draw inspiration from his surroundings. In an interview, he stated: “Everything that strikes me is, in some way, a source of inspiration for me. Every form of art is included in this: from architecture to literature, from fashion to music. After all, isn’t design an act of poetry?” A passionate admirer of the visual arts, Viganò sees the use of new materials as an opportunity—a moment for knowledge and creative exploration. According to Viganò, a good industrial design project must be based on three principles: Affinity – the object should reflect the personality of the buyer. Functionality – the object must meet the needs of the user and be designed to provide a solution. Cost – it should be consistent with what is being offered. His style can be described as eclectic, always attentive to societal changes and focused on addressing the needs of contemporary living. From this perspective, he leads his team in seeking formal and functional responses to collective needs, creating elegant yet never conventional objects and environments. Viganò has many ongoing collaborations, both in exhibit design—often featured at the Salone del Mobile in Milan—and in product development. Notable brands he has worked with include: Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati & Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Estel, F.lli Longhi, Frighetto, Gamma International, Horus, Ivano Redaelli, Lema, Minotti, MisuraEmme, Porada, Saba Italia, Rivolta, Tappeti Artexa, Tisettanta, Turri, LiuJo Living Collection, YDF, Reflex, Twils, MEMEDESIGN, and Morelato. His Ellipses chair, designed for Bonacina Pierantonio, was nominated for the ADI INDEX 2010 selection for the prestigious Compasso d'Oro ADI Award.