


Architonic ID: 1002758
Year of Launch: 1965
Designed in 1965, the Dezza armchair embodies some of Gio Ponti’s most important design principles from both a formal perspective- like the leg with its characteristic tapered triangular cross-section- and a methodological standpoint, thanks to the revolutionary modular system comprising of a limited number of pieces to assemble. The Dezza sofa and armchairs, comfortable, light and very versatile, are reissued in a refined new edition that exalts their formal beauty and unique style. The supporting structure is made from seasoned beech. The number 12 armchair has slender armrests that make it possible to combine two or more elements. The number 48 armchair has a goose down headrest incorporated in the backrest. The upholstery is entirely in Pelle Frau® leather or in Pelle Frau® leather for the shell and Cavallino leather for the seat and backrest cushion. Lots of different finishes available for the feet: as well as white or black lacquered wood, you can also opt for Ponti blue or Ponti green, or for Canaletto walnut.
Concept
Designed in 1965, the Dezza is a comfortable, light-weight and adaptable armchair, that has accurately been reproduced in a refined re-edition that enhances its formal beauty and stylistic uniqueness.
The feet are available in ash-wood painted white or black with open-pore paint. The upholstery is available in Pelle Frau® leather, “Pony Skin” or a combination of leather and non-removable fabric. The number 12 armchair boasts slender armrests, which make it possible to place two or more armchairs close together. Armchair number 48 is fitted with a goose-down headrest that is incorporated into the backrest.
This product belongs to collection:
Residential

Italy
Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. He is considered by many to be the father of modern Italian design. Gio Ponti: a biography Giovanni, known was Gio, Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to and end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini. It was during this period that Ponti designed many of his most famous buildings, such as the Institute of Mathematics of the University of Rome, the Primo Palazzo Montecatini, the Casa Marmont and Villa Donegani in Bordighera. The most well-known of his architectural works is the Pirelli Tower, which Gio Ponti completed in his hometown of Milan in 1956. He continued to work well into his eighties, completing such impressive works as the Concattedrale Gran Madre di Dio in Taranto and the Denver Art Museum. Gio Ponti died in Milan on 16 September, 1979 having produced countless pieces of furniture, ceramics and thousands of other objects throughout his life. The Superleggera Chair by Gio Ponti In 1957, Gio Ponti designed his most famous piece of furniture, the Superleggera chair, for the manufacturer Cassina. The ‘ultra-light’ chair was an update on the traditional chairs that were produced in the Ligurian factory. They continue to be in great demand due to their simplicity and functionality, and to this day, the Superleggera chair with its sleek, understated shape is one of the most common chairs found in Italian restaurants. Gio Ponti’s Coffee Tables and Other Furniture In 1931, Ponti became artistic director of the design manufacturer FontanaArte, going on to design numerous objects for the company. Among the furniture pieces Ponti created were coffee tables such as the Tavolino 1932 coffee table, as well as many lamps, such as the Pirellone, the Pirellina, and Bilia lamps. Gio Ponti: architecture and design philosophy Ponti’s architecture and design embodied the Italian dolce vita. Influenced by his early work in ceramics, Ponti took responsibility for the design of every aspect of his buildings, including their interior design, lighting, and even glass and silverware. Gio Ponti broke through borders and traditions, choosing instead an interdisciplinary approach which combined design, art, craft and architecture. His fascination for a wide range of styles is evident from his designs for a wide variety of manufacturers, including Cassina and FontanaArte. © by Architonic