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Octa
Architonic ID: 1209448
Year of Launch: 2013
Octa comes from the Greek word “okto” meaning eight: the number of legs that make up the elaborate base of the Octa dining table, metal elements that intersect in an apparently disordered way. This idea arose from playing with Shanghai sticks, an age-old pastime that suggests an idea of chaos and turmoil, lightness and randomness.
The top can be fixed or extendable, and is available in a wide range of materials and finishes; in the round version, the table is fixed and made of glass or ceramic. In the fixed rectangular and barrel versions, veneered and solid wood finishes for the top are available. Its image, in contrast with the base, is sober and linear. The overall result is an almost molecular equilibrium for a decidedly unusual and elegant table, able to characterise the space with a sought-after and contemporary meaning: that of a sign that becomes an object.
This product belongs to collection:
Base metal, Ceramic, Metal, Tabletop ceramic

Italy
Bartoli Design, a team comprising Anna and Paolo Bartoli, continues the experience in design developed with Carlo Bartoli (1931-2020) through many partnerships with leading companies in the furniture sector along many years. The studio’s research explores elegance based on simplicity and balance. From concepts to product design, art direction and brand strategies, the studio’s activities embrace the full spectrum of design services. Bartoli Design also works on architecture, exhibition, interior and urban design. Combining creativity with a deep understanding of technologies and industrial processes, and of craftsmanship and artisanal techniques, Bartoli Design’s outcomes are best-selling, long-lasting products and award-winning designs. Carlo Bartoli exhibited his work in Italy and abroad: at the Triennale Design Museum in Milano, the Victoria and Albert Museum in London, the Stadt Museum in Cologne, as well as in New York, Prague, Hong Kong, Athens and Buenos Aires. The Gaia armchair is included in the design collection at the MOMA in New York and the Triennale Design Museum in Milano. The 4875 chair is on display in the design collection at the National Arts Museum of the Pompidou Centre in Paris.