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Architonic ID: 1054630
Year of Launch: 2007
The Japan Series is produced in teak, oak or walnut with handsewn upholstery in fabric.
(Sofa 2-seater)
Size: W 121cm x D 70cm x H 78cm
Seat height: 35cm
(Sofa 3-seater)
Size: W 180 cm x D 70cm x H 78cm
Seat height: 35cm
Concept
Finn Juhl’s partnership with the furniture manufacturer France & Son gave birth to a series of furniture well-suited for industrial production, while staying true to the ideals of simple designs that reigned in the 1950s.
The most famous example of this cooperation is probably the Japan Series from 1957, which consists of an armchair, a footstool, a two-seater sofa and a three-seater sofa.
The sublime simplicity of this series is a far cry from his earlier furniture designs and is inspired by traditional Japanese building techniques. The solid horizontal backrest, resting on the slightly tapered legs, is a reference to a Japanese temple door. The backrest ends in a circular recess, adding an optically refined impression with great effect. That was very typical of Finn Juhl, who famously said that deviation is in the detail.
Even with this simple construction, Finn Juhl is true to his idea of emphasizing the difference between the carried and the carrying elements by separating the backrest from the bearing frame with brackets in brass. The Japan Series is produced in oak or walnut with handsewn upholstery in fabric.
This product belongs to collection:
Base solid wood, Wood

Denmark
The Danish designer, architect, and interior architect Finn Juhl is today primarily known for his furniture designs, despite his contributions to all three fields. He is one of the most prominent Scandinavian furniture designers, and, along with Arne Jacobsen, one of the most important representatives of Danish design. Finn Juhl: a biography Finn Juhl was born 30 January 1912 in Frederiksberg. Under pressure from his father, he went to study architecture at the Royal Danish Academy of Fine Arts in Copenhagen from 1930 to 1934. Subsequently, he worked with the renowned architect Vilhelm Lauritzen, who himself contributed significantly to Danish architectural modernism. Juhl then began to teach interior design at his alma mater in Copenhagen, and soon after that founded his first design studio. In the 1940s, he also taught at the Frederiksberg Technical School and so began to influence the next generation of designers through his tutelage. In 1942, Juhl designed a house for himself, which is still known simply as Finn Juhl's House. In 1951, Juhl made his debut in the United States at the Good Design Show in Chicago and also at the Museum of Modern Art in New York. In both 1954 and 1957, he received significant recognition for work he exhibted at the Milan Triennale. He was then given the task of designing several pieces of furniture for the Danish Embassy in Washington, D.C. and for the offices and aircraft interiors of Scandinavian Airlines. During the 1950s, Juhl was appointed the interior architect of the Trusteeship Council Chamber inside the New York headquarters of the United Nations, where he designed the chairs for the organisation's deputies. Other well-known designs by Juhl include a porcelain dinner set for Denmark's Bing & Grondahl, refrigerators for General Electric, and glassware for Georg Jensen. Finn Juhl: Poet Sofa The Poet Sofa was designed by Finn Juhl for his own house in 1941; Juhl designed the sofa along curving organic lines, with armrests which seem to softly embrace the sitter. The hand-stitched sofa became a design classic in the 1950s, when it was discovered in America during the Scandinavian design craze. Finn Juhl: 45 Chair Designed in 1945, the 45 Chair by Finn Juhl signified a break with existing traditions in chair design. The main feature of the design is the freeing of the seat and the backrest from the frame of the chair itself. The result is a simple, elegant and remarkable chair which brought Juhl enormous recognition, making him world-renowned and helping to popularise Danish design the world over. © by Architonic