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About this product
Architonic ID: 20719065
Year of Launch: 2011
PASSO DOPPIO- Material: high performance technical yarn, anti bacterial, anallergic, anti-static, resistant to fungi and mould- Structure: hand woven- Thickess: 8 mm- Colour: Bianco
Concept
Passo Doppio is a hand-woven rug in high-performing technical yarn with chromatic and tactile felt cylinder intervals inserted between the weaves. The rhythmic succession of the two materials defines the steps and outlines the rug’s surrounding space.
A resistant rug suitable for indoor and covered outdoor areas, Passo Doppio is available in understated earthy, gray and blue tones with a selection of bright colors for the wool felt cylinders, providing an infinite color combination.
Passo Doppio rug is also available in large dimensions, up to the maximum loom width of 3,5 meters and unlimited length. The position and the number of the felt cylinders are custom-made and defined at the designer’s discretion.
Passo Doppio is ideal both for covered outdoor areas such as cozy patios and porches or sheltered areas in the garden, and indoor spaces such as hallways, bathrooms and kitchens.
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Specifications
Dimension
Size customized
Variants
2
You can visit the product page for these variants—just click on them!
Design files
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Designers
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.