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About this product
Architonic ID: 20776618
Year of Launch: 2024
PAGLIETTA COTTA Material: polyester and jute- Structure: hand woven on traditional looms- Thickness: 5/7 mm- Colour: Ocra
Concept
Paglietta Cotta embodies sophistication and modernity.
This contemporary rug combines the timeless appeal of jute fiber with G.T.DESIGN’s exclusivehigh-performance shiny yarn, providing unparalleled durability and versatility for both indoor and sheltered outdoor spaces. Thanks to its customizability, Paglietta Cotta fits perfectly in any setting, from the living room to the terrace, adding a touch of elegance wherever it is placed.
Where to use it:handwoven on traditional looms, Paglietta Cotta boasts unique irregular bouclé curls, along with a design reminiscent of a chain mail. The combination of artisanal weaving and technical yarn results in a rug that is not only visually appealing, but also pleasant to touch, with a rich range of color hues. With its sophisticated and elegant look, Paglietta Cotta can be placed in living as well as sleeping areas to create a focal point in the room or to add color and texture.
This product belongs to collection:
Specifications
Color
Colour brown, Colour tone on tone
Material
Blended fabric, Plastic, Polyester, Synthetic fibres, Textile
Variants
2
You can visit the product page for these variants—just click on them!
Design files
1
Distributors
Designers
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.
