


Void | Void Brick
Architonic ID: 20320910
Year of Launch: 2024
Handmade terracotta wall partition- dimensions 31 x 15 x 5,5 cm (nominal size), rustic surface available in cotto tradizionale: rosato, bianco, grigio 01, moka.
Concept
Void collection designed by Snøhetta is a celebration of hand-pressed terracotta that pushes the boundaries of material reduction and soft forms. By emphasizing light, shadow, and texture, the collection embraces the unique imperfections resulting from artisanal craftsmanship. Each piece in the collection is manually crafted on order, comprising both tiles and 3D elements. The tiles, with their minimalist design, offer a myriad of geometric patterns and compositions. Optional glazing provides a smooth finish, making them suitable for various spaces, including wet areas. The larger 3D elements serve a dual purpose, functioning as brick-like structural components for both indoor and outdoor applications. Notably, the collection prioritizes slow production and reduced material use, resulting in the creation of deep, soft curves and voids that maintain the strength of a structural element.
This product belongs to collection:
Clay, Terracotta
Explore the Fornace Brioni srl catalog collection.

Norway
For more than 30 years, Snøhetta has designed some of the world’s most notable public and cultural projects. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. Since its inception, the practice has maintained its original transdisciplinary approach, and integrates architectural, landscape, interior, product, graphic, digital design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice. The practice has a global presence, with offices spanning from Oslo, Paris, and Innsbruck, to New York, Hong Kong, Adelaide and San Francisco. Snøhetta is currently working on a wide range of international projects, including the 550 Madison Garden and Revitalization in New York, Airside - Kai Tak in Hong Kong, Esbjerg Maritime Center in Denmark, Stegasteiner in Brønnøysund, Norway, for Norwegian Scenic Routes, and the Shanghai Grand Opera House. Recently completed works include the Ordrupgaard Art Museum expansion in Denmark, the Cornell University Executive Education Center and Hotel in New York City, Le Monde Group Headquarters in Paris, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and the design for Norway’s new banknotes. Snøhetta’s working method practices a simultaneous exploration of traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Snøhetta believes well-conceived design can help things run more efficiently, improve people’s well-being and make life more enjoyable. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context. Among its many recognitions, Snøhetta has been awarded the European Union Prize for Contemporary Architecture – Mies van der Rohe Award for the Norwegian National Opera and Ballet, and the Aga Kahn Prize for Architecture for the Bibliotheca Alexandrina. In 2016, Snøhetta was named Wall Street Journal Magazine's Architecture Innovator of the Year, and the practice has been named one of the world’s most innovative companies by Fast Company two years in a row. In 2020, Snøhetta was awarded the National Design Award for Architecture, bestowed by Cooper Hewitt, Smithsonian Design Museum.