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Ulisse Daybed
Architonic ID: 1371820
Year of Launch: 2016
Frame solid oak or walnut, natural or blackstained, with clear varnish.
Metal components in solid brass unlacquered or black chromeplated.
Upholstery polyurethane with polyester fibre. Cover in fabric or leather.
Headboard height-adjustable at three settings.
Anti-slip plastic gliders in white.
Concept
With Ulisse, Konstantin Grcic developed his idea of a daybed, combining the symbolic nature of a simple daybed with the materiality of an elegant and perfectly crafted piece of furniture in the tradition of modernism. The adjustment mechanism of the daybed and the cross-section of the legs are inspired by the classic designs of Charlotte Perriand and Eileen Gray, by their modernity and preciseness, and congenially fit in with the ClassiCon collection.
Ulisse is a daybed that becomes a symbol for relaxing and comfort, and with its large, free-stretched reclining surface, almost looks like a pictogram of a daybed. In its simple, symbolic elegance, the daybed arouses associations with archaic furniture of African or Japanese origin that were sources of inspiration for many designers of modernism. Ulisse is thus much more than a purely functional piece of furniture: it becomes an expression of the connection between modernism and the present, a symbol for a moment of rest and luxury.
With Ulisse, Konstantin Grcic continues his collaboration with ClassiCon, which began 25 years ago and resulted in successful designs such as the Diana side tables and the Pallas table. While his early designs for ClassiCon mainly dealt with industrial production and a technical-constructive aesthetic, Ulisse places an intentional emphasis on the quality of craftsmanship, production and materiality, which have become increasingly important in his more recent designs. Contrary to the use of semi-finished materials, working with solid wood requires every material thickness and detail to be precisely defined and requires the ability to produce them with the appropriate perfection. Ulisse thus becomes an important developmental step in the longstanding collaboration between ClassiCon and one of the most influential contemporary designers.
This product belongs to collection:
Seat solid wood, Wood
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Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.