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Plissée Pendant Lamp
Architonic ID: 20752246
Year of Launch: 2023
The lampshade of the Plissée Pendant Lamp balances in the air like a delicate balloon of light. The elaborately pleated structure of mouth-blown opal glass is carefully handmade, lending Sebastian Herkner’s design its soft, almost textile look. The glass shade of Plissée is frosted white on both the interior and exterior surface, creating a pleasant ambient light and also a light cone directed downwards. The closing ring and socket made of coloured lacquered aluminium- optionally in black, bronze or brass- set elegant accents. In order to be able to adjust the lamp easily, the Plissée pendant is suspended by three fine steel wires. With its sensuous, aesthetic appearance, Plissée lends itself to the creation of individual arrange- ments in the home or in restaurants, bars or hotels – either as a single piece or in a group.
Pendant lamp. Hand-blown lamp shade white satin-finished opal glass with pleated surface. Closing ring and socket colour-lacquered in black, bronze or brass. Suspension from three steel wires, adjustable in height and alignment. Cable length 2 m, special lengths upon request. Replaceable LED bulb: 8 W / E 27 / 240 V / 700 lm / 2700 K / CRI 95.
Concept
With his Bell Table design, which kicked off his cooperation with ClassiCon in 2012 and was the designer’s first step towards international recognition, Sebastian Herkner turned our usual perception of materials upside down. Herkner once again achieves this effect in a fascinating way with his Plissée Floor Lamp: the lampshade, like a sensual, weightless balloon of light, balances on a metal base. The trick: what is reminiscent of artfully pleated textile is in reality hand-blown glass. An elaborate artisan production process enables this soft, textile-like, visual effect and hence the realisation of Herkner’s vision. A dimmable LED light source creates the individually desired level of cosiness. The design of the Plissee Floor Lamp hence unites traditional craftsmanship with an industrial component – and, not least through this combination, carries the unmistakable signature of Sebastian Herkner.
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Glass
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Germany
Profile Sebastian Herkner was born in 1981 in Bad Mergentheim. He studied product design at the HfG Offenbach am Main (Offenbach University of Art and Design), already focusing during his studies on designing objects and furniture merging various cultural contexts, combining new technologies with traditional craftsmanship in order to highlight the multifaceted beauty of the materials and draw renewed attention to small details. Whilst still a student, Herkner did an internship with Stella McCartney in London, which helped to hone his feeling for materials, colours, structures and textures. Since founding his own design studio in Offenbach am Main in 2006, he has designed products for manufacturers such as ClassiCon, Dedon, Fontana Arte, La Chance, Moroso, Pulpo, Rosenthal and Very Wood, as well as working on interior design projects and for exhibitions and museums. Since 2007 he has taught several courses at HfG Offenbach am Main as visiting lecturer. His designs have received multiple prizes, for example the 2011 German Design Award in the Newcomer category, 2015 the EDIDA Award for Best International Newcomer and Guest of Honor at imm cologne 2016. // written by Markus Frenzl “There is a sensitivity and identity to my work that emphasizes the function, the material and the detail. I transport and interpret characteristics from various contexts of society and culture and implement them in new artifacts. This character infuses the most everyday objects with respect and personality. In this manner, seemingly contrary things can experience esteem.“ Sebastian Herkner, born 1981, studied Product Design at Offenbach Design Academy. During his studies he did an internship at Stella McCartney in London and developed a particular liking there for color, material and their connection. Since graduating from Offenbach in 2007 he has worked as assistant in the Product Design faculty and is in charge of projects in the realm of integrated design. As early as 2006 Sebastian Herkner established his own studio and has since then been involved in freelance projects for various companies and institutes. Alongside the design of exhibitions and trade fair presentations his second focus is on designing everyday objects. He is influenced in this by his observations of people and their actions. In this context it is important to look beyond your own disciplines in order to achieve a value-added for the user. Sebastian Herkner is not so much influenced by trends or current consumer criteria, because what interests him is a collage of simple techniques and traditional materials coupled with a simple mechanical principle and an unambiguous function. His idea of sustainability consists of employing traditional manufacturing techniques and their unique character. He then combines and interprets this by employing new technologies and finishing methods. In spring 2010 his occasional table Bell-Table was presented in New York in the collection of Spanish manufacturer ABR, which also received the red dot award 2010. // written by German Design Council Even at this early stage in his career Sebastian Herkner is attracting attention with his outstanding works. We can look forward to being surprised by more of his designs in the future. // Roland Heiler, Managing Director Porsche Design GmbH