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Ordinal
Architonic ID: 20222419
Year of Launch: 1905
For the marble version, available marbles:
Carrara White, Calacatta, Alpi Green, Portoro silver.
Dimensions: 160 x 160 cm, 230 x 100 cm, 260 x 100 cm
Concept
Michael Anastassiades designs Ordinal, a 1st project for Cassina. “Each leg is positioned on to the four corners of the table, marking the cardinal extents of the top. The 45° orientation of the legs are used to maximise strength while its geometry brings focus to the table's edge. An illusion is created through this relationship, which varies based on the viewing angle. The leg can appear simultaneously slender and yet monolithic. Principally made from aluminium, the leg's materiality and finish vary to accentuate this interplay through colour and contrast.” Michael Anastassiades.
Ordinal is a sculptural set of contemporary dining tables that unites Michael Anastassiades trademark metal work with Cassina’s carpentry craftsmanship. Its solid natural wood, veneer or lacquered top warmly contrasts with its sleek legs, in aluminium or also wood, which are set at a diagonal right at the limit of the structure. It all started during a meeting between Michael Anastassiades and Cassina in 2010: here a first challenge was launched to work on a bold project together. After a period of time getting to know each other, Ordinal was born. The project began with a 240cm long rectangular table with a solid wood top, an innovative challenge for the Cassina Research and Development Centre who had to find a solution to ensure strength and stability without sacrificing its design. After researching numerous techniques, a metal mechanism was invisibly inserted inside the wood to support this large top while maintaining its sleek look. An ample selection of shapes (oval, square and rectangular shapes) in various sizes has also been
developed in wood veneer.
Materials: solid oak top Canaletto walnut, natural oak, stained black oak veneer solid wood legs in the same finish as the wooden top or aluminium painted gun metal, anthracite or gold, or anodised black or burgundy.
This product belongs to collection:
Base natural stone, Marble, Natural stone, Tabletop natural stone

United Kingdom
Michael Anastassiades launched his studio in 1994 to explore contemporary notions of culture and aesthetics through a combination of product, furniture and environmental design. Positioned between fine art and design, his work aims to provoke dialogue, participation and interaction. He creates objects that are minimal, utilitarian and almost mundane, yet full of vitality one might not expect. Anastassiades’ work is featured in permanent collections at the Museum of Modern Art in New York, the Victoria and Albert Museum, London, the Craft Council in London, the FRAC Centre in Orleans, France, and the MAK in Vienna. His solo exhibitions include Time and Again at the Geymüllerschlössel/MAK in Vienna, To Be Perfectly Frank at Svenskt Tenn in Stockholm, Norfolk House Music room at the Victoria and Albert Museum, London, Cyprus Presidency at the European Parliament in Brussels, Belgium. One of the most recent exhibitions explores what Anastassiades calls the “contemporary anxieties of modern Cyprus” entitled Reload the Current Page at the Point Centre for Contemporary Art in Nicosia, Cyprus, and the collection General Illuminations, as part of the exhibition Doings on Time and Light at Rodeo Gallery, Istanbul. He has designed products with various leading manufacturers including FLOS, Lobmeyr and Svenskt Tenn. In 2007 he set up the company Michael Anastassiades Ltd to produce his signature pieces; a collection of lighting, furniture, jewellery, and tabletop objects. The studio’s philosophy is a continuous search for eclecticism, individuality, and timeless qualities in design. Michael Anastassiades trained as a civil engineer at London’s Imperial College of Science Technology and Medicine before taking a masters degree in industrial design at the Royal College of Art. He lives and works in London.