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Architonic ID: 20340815
Year of Launch: 2025
Cassina produces the FF.Spine bookcase, originally designed by Formafantasma for the Galleria Giustini / Stagetti in Rome for the “1858” collection. It included furniture made solely from one of the 14 million evergreen trees destroyed by the Vaia storm in October 2018 devastating northern Italy’s Val di Fiemme forests; hence, the name “1858”, year of the tree’s birth. The designers’ commitment to using material recovered from the storm is now reinterpreted, creating a bookcase from blocks of solid wood with different veining and types of cut. Designed to make the best possible use of each individual part of the trunk, the modularity of the piece helps conserve precious natural resources. FF.Spine expresses the fusion of the minimalist aesthetics of the 20th century Maestri and the versatile formal slenderness of contemporary design, thanks to extremely linear construction combined with distinct geometric virtuosity. The system was designed to optimise flexibility of use. It allows for different configurations and a wide selection of finishes that enhance the unique features of the wood and portray the raw material in all its beauty.
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Structure solid wood
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Netherlands
Andrea Trimarchi (1983) and Simone Farresin (1980) are Studio Formafantasma, an Italian designers duo based in Amsterdam, The Netherlands. Their interest in product design developed on the IM master course at Design Academy Eindhoven, where they graduated in July 2009. Since then, Formafantasma has developed a coherent body of work characterised by experimental material investigations and explored issues such as the relationship between tradition and local culture, critical approaches to sustainability and the significance of objects as cultural conduits. In perceiving their role as a bridge between craft, industry, object and user, they are interested in forging links between their research-based practice and a wider design industry. As a result, works by Studio Formafantasma have been commissioned by a variety of partners including Fendi, Max Mara - Sportmax, Hermès, Droog, Nodus rug, J&L Lobmeyr, Gallery Giustini - Stagetti/Galleria O. Roma, Gallery Libby Sellers, Established and Sons, Lexus and Flos. Whether designing for a client or investigating alternative applications of materials, Studio Formafantasma apply the same rigorous attention to context, process and detail to every project they undertake. The added nuance for the duo is that they do so with an eye to the historical, political and social forces that have shaped their environments. Their work has been presented and published internationally and museums such as New York's MoMA, London’s Victoria and Albert, New York's Metropolitan Museum, the Chicago Art Institute, the TextielMuseum in Tilburg, the Stedelijk’s-Hertogenbosch, MUDAC Lausanne, the Mint Museum of Craft and Design in North Carolina and the MAK Museum in Vienna have all acquired Formafantasma’s designs for their permanent collections. In March 2011 Paola Antonelli of the Museum of Modern Art in New York and esteemed design critic Alice Rawsthorn listed their studio amongst a handful of practices that would shape the future of design. Andrea and Simone are lecturing and heading workshops in various Universities and Institutions. Currently they are teaching at the ‘Well Being’ and 'Contextual Design' Departments of the Design Academy Eindhoven. Since October 2016, they are at the head of the Design bachelor at MADE Program in Siracusa, Italy.