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Architonic ID: 1165908
Year of Launch: 2012
Measurements (mm)
Seat height 450
Overall height 800
Overall width 1000
Seat depth 470
Overall depth 620
Concept
Wilmer S
Frame of Green chrome (chrome III) or black lacquered steel. Seat and back of moulded polyurethane foam. Fabric or leather covers. Swivelbase in green chrome (chrome III) or black lacquered Wilmer is also available as: Wilmer T, a multi-functional easy-chair. with solid ash tabletop. Wilmer C, a solitaire chair for conference rooms that will be available later 2012.
Wilmer T
Wilmer T is a multi-functional easy-chair. Frame of green chrome, chrome III or black lacquered steel. Seat and back of moulded polyurethane foam. Solid ash tabletop. Fabric or leather covers. Wilmer is also available as: Wilmer S, a solitaire chair, with swivelbase in green chrome, chrome III or black lacquered steel.
Wilmer C
The Wilmer easy chair’s harmonious but not humdrum brother, Wilmer C.
Wilmer is a hybrid between a dining chair, an office chair and an easy chair. And was in 2011 when the unequal Wilmer with one high and one low armrest arrived, the first of its kind. Wilmer retains all the advantages of the various chairs that are traditionally used for “active sitting”, such as the higher seat height and the compact size. But it combines these with the upholstery of an easy chair to provide a more relaxing, more comfortable seat. A comfortable upholstered conference chair or a neat little easy chair depending on the context in which it is used. Wilmer C has four legs, but can also be fitted onto the same under-frame as Wilmer T and Wilmer S. Now that Wilmer has started a family it might continue to grow, so keep a lookout!
This product belongs to collection:
Base metal, Metal

Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.