Teilen



Nicht verfügbar in CHF
Preis anzeigen in
118 High Gloss
Architonic ID: 20036207
Einführungsjahr: 2019
Der 118 sowie die Ausführungen 118 H und 118 SP werden in Buche natur sowie in lackierten und gebeizten Ausführungen und in sechs Hochglanzlack-Farbgebungen erhältlich sein. Die Sitzfläche ist mit Rohrgeflecht bespannt, als Muldensitz oder in gepolsterter Variante verfügbar.
Konzept
Das elegante Programm 118 von Sebastian Herkner für Thonet erhält ein edles neues Finish: Tiefes Schwarz und Dunkelblau, sattes Dunkelrot, zeitgenössisches Altrosa und Mint sowie Dunkel Braun-Violett sind sechs ausdrucksstarke Hochglanzfarben, die dem Möbel eine luxuriöse Optik verleihen.
Ein junger Stuhl mit Potenzial zum Klassiker zeigt sich in neuem Glanz
Die Brücke, die der 118 zwischen Tradition und Gegenwart schlägt, ergibt sich bei dem einfachen, aber raffinierten Entwurf unmittelbar aus der Verbindung zum Urtyp des Thonet-Stuhls, dem Kaffeehausstuhl 214 (früher Nr. 14). Mit dem aus einem Stück gebogenen Sitzrahmen sowie der optional mit Rohrgeflecht bespannten Sitzfläche nimmt das Stuhlprogramm 118 direkten Bezug auf das Mitte des 19. Jahrhunderts von Michael Thonet entwickelte Prinzip, einen Stuhl auf möglichst wenige Bestandteile zu reduzieren.
Zu den bisherigen Ausführungen mit Muldensitz sowie Sitzflächen mit Polsterung und Barstühlen in zwei unterschiedlichen Höhen gesellen sich nun sechs neue Hochglanzfarben. Durch den natürlichen Lichteinfall entstehen einzigartige Reflexe. Die schlichte Eleganz des Entwurfs wird dadurch unmittelbar herausgestellt. Lack hat Objekten schon immer das gewisse Etwas und den Hauch des Besonderen verliehen – von über Jahrhunderte perfektionierter japanischer Lackierkunst über zahlreiche Möbel des Art Déco bis hin zu wertvollen Klavieren. „Der Lack verkörpert Geschichte, Kultur und Stil, er verleiht dem Objekt Tiefe“, so Sebastian Herkner. In den neuen Farbstellungen und im High-Gloss-Finish wird der 118 so zu einem optischen Highlight in jedem Raum.
Untergestell Massivholz, Sitz Flechtgewebe, Holz
Zu den Produktseiten dieser Varianten gelangen Sie – einfach anklicken!

Germany
Profile Sebastian Herkner was born in 1981 in Bad Mergentheim. He studied product design at the HfG Offenbach am Main (Offenbach University of Art and Design), already focusing during his studies on designing objects and furniture merging various cultural contexts, combining new technologies with traditional craftsmanship in order to highlight the multifaceted beauty of the materials and draw renewed attention to small details. Whilst still a student, Herkner did an internship with Stella McCartney in London, which helped to hone his feeling for materials, colours, structures and textures. Since founding his own design studio in Offenbach am Main in 2006, he has designed products for manufacturers such as ClassiCon, Dedon, Fontana Arte, La Chance, Moroso, Pulpo, Rosenthal and Very Wood, as well as working on interior design projects and for exhibitions and museums. Since 2007 he has taught several courses at HfG Offenbach am Main as visiting lecturer. His designs have received multiple prizes, for example the 2011 German Design Award in the Newcomer category, 2015 the EDIDA Award for Best International Newcomer and Guest of Honor at imm cologne 2016. // written by Markus Frenzl “There is a sensitivity and identity to my work that emphasizes the function, the material and the detail. I transport and interpret characteristics from various contexts of society and culture and implement them in new artifacts. This character infuses the most everyday objects with respect and personality. In this manner, seemingly contrary things can experience esteem.“ Sebastian Herkner, born 1981, studied Product Design at Offenbach Design Academy. During his studies he did an internship at Stella McCartney in London and developed a particular liking there for color, material and their connection. Since graduating from Offenbach in 2007 he has worked as assistant in the Product Design faculty and is in charge of projects in the realm of integrated design. As early as 2006 Sebastian Herkner established his own studio and has since then been involved in freelance projects for various companies and institutes. Alongside the design of exhibitions and trade fair presentations his second focus is on designing everyday objects. He is influenced in this by his observations of people and their actions. In this context it is important to look beyond your own disciplines in order to achieve a value-added for the user. Sebastian Herkner is not so much influenced by trends or current consumer criteria, because what interests him is a collage of simple techniques and traditional materials coupled with a simple mechanical principle and an unambiguous function. His idea of sustainability consists of employing traditional manufacturing techniques and their unique character. He then combines and interprets this by employing new technologies and finishing methods. In spring 2010 his occasional table Bell-Table was presented in New York in the collection of Spanish manufacturer ABR, which also received the red dot award 2010. // written by German Design Council Even at this early stage in his career Sebastian Herkner is attracting attention with his outstanding works. We can look forward to being surprised by more of his designs in the future. // Roland Heiler, Managing Director Porsche Design GmbH