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Dafne
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Dafne
Über dieses Produkt
Architonic ID: 1379810
Einführungsjahr: 2016
The exclusive and elegant simplicity of lines combined with the compactness of the product give Dafne a unique and incomparable appeal within the panorama of bathtubs. The bathroom furniture scene is enhanced thanks to the designer Daniel Debiasi and Federico Sandri, an element of new shape and size that harmoniously combined with the material, Cristalplant, create a very comfortable object. The comfort of the bath is given by the raised edge on the one hand that easily accommodates the shoulders while the curved lines of the basin are like a warm and reassuring embrace inviting you to dedicate a long moment of relaxation.
This assembly of sculptures is generated by a controlled geometry that expresses evoking quiet kindness.
The reduced dimension facilitate its placement in different bathrooms.
Technical notes:
Dimensions: 1700x700 cm
The bathtub is complete with pressure plug and drain.
Material: Flumood
Konzept
Natural form, sober yet organic, a project that through small variations expresses a perfect combination of aesthetics and functionality. An elegant bathtub seemingly light and compact in size that plays upon a delicate dimensional balance to give life to a comfortable and attractive element:
one side slightly raised is the hallmark of the project increasing the overall comfort. This raised part accommodates the shoulders while the curved lines of the bottom invite you to immerse in wonderful moments of relaxation.
Produktdetails
Material
Mineralwerkstoff
Varianten
3
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Design-Dateien
16
Vertriebspartner
Designer
Debiasi Sandri
Italy
Daniel Debiasi and Federico Sandri founded their own design studio in 2010. Currently based in Bolzano and Verona they work within various fields of design, ranging from objects to spaces. Daniel and Federico have created work for renowned clients such as Antoniolupi, Lema, Ligne Roset, Normann Copenhagen, Offecct, Rosenthal and Stelton among others. Their collaboration evolves along a continuous dialogue encouraged by spatial, cultural and behavioural observations. Multiple experiments with different materials and processes and the relationship between manufacture and craftsmanship form the basis for a much broader thinking, where objects are always considered as part of a bigger picture. Many of their projects have received international design awards and are featured in publications worldwide.
