Teilen
1/7
Avet Beistelltisch
- Startseite/Couchtische/
Avet Beistelltisch
Über dieses Produkt
Architonic ID: 20173615
Einführungsjahr: 2019
Das Design des Beistelltisches Avet basiert auf der leichten dreieckigen Metallkonstruktion, deren schmalen Linien ihm eine gewisse Zerbrechlichkeit und Schwerelosigkeit verleihen. Das Viereck der Tischplatte dreht sich um 45 Grad gegenüber dem kleineren Basisviereck, wodurch eine geneigte, kristalline Gestaltung entsteht. Durch das Hinzufügen einer getönten Glasoberfläche wird der Tisch nahezu entmaterialisiert – es entsteht eine elegante Silhouette mit dem passenden Namen Avet (Bedeutung: Gespenst, Phantom).
Konzept
The design of Avet low table relies on the light triangular metal construction, whose skeletal lines endow it with certain fragility and weightlessness. The square of the top plate rotates by 45 degrees relative to the smaller base square, producing a slanted, crystalline formation. With the addition of toned glass surface, the table becomes almost dematerialised, an elegant, shadowy silhouette, suitably named Avet (meaning ghost, phantom).
Dieses Produkt gehört zur Kollektion:
Produktdetails
Material
Untergestell Metall, Glas, Metall, Tischplatte Glas
Design-Dateien
11
Vertriebspartner
Designer
Numen/For Use
Austria
Product design group For Use was formed through collaboration of Sven Jonke, Christoph Katzler and Nikola Radeljkovic in the year 1998. Two members studied at the School of Design in Zagreb, while Katzler studied at High School for Applied Arts in Vienna. Since then the group designed furniture and objects for companies such as Cappellini, ClassiCon, Desalto, Interlubke, Magis, MDF Italia, Moroso, and Zanotta. In 1999 the group realized several important exhibition design projects and established Numen as a group name for projects realized outside of the field of industrial design. In the initial stage the group worked together with Jelenko Hercog and Toni Uroda, graphic and multimedia designers. The work was characterized by experimenting with rule-based design and radical reduction of form in the tradition of High modernism, mostly applied to total-design projects . In 2004 Jonke, Katzler and Radeljkovic started developing set design projects for various theater companies which led to a major breakthrough in 2005 with set design for Infierno in Centro Dramatico Nacional in Madrid. Since then the group designed sets in Belgrade, Berlin, Istanbul, Ljubljana, Madrid, Merida, Osijek, Rijeka, Skopje and Zagreb, mostly with directors Tomaz Pandur and Aleksandar Popovski with whom they developed a continuous cooperation. In 2005 Numen/ForUse established the first design oriented brand for quality furniture in former Yugoslavia - Element, designing visual identity and initial furniture collection. The group has since managed artistic direction and product development of the company. The group has simultaneously developed interior and exterior design projects, usually working with 3lhd and Imarea architects, the most important of which is the integral design of the waterfront in Split realized in 2007. From 2008 on Numen / For Use has been designing objects and concepts without predefined function, resulting in projects like Numen-light, Tape and NET. Besides these prominent realizations, the group has been awarded several international prizes for their work in the fields of set and industrial design.
