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Moving Forest 3
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Moving Forest 3
Über dieses Produkt
Architonic ID: 20084276
Einführungsjahr: 2022
MOVING FOREST- Material: PA- Structure: tufted cut pile- Thikness: 12 mm- Model: Moving Forest 3
Konzept
Moving Forest explores the optical and chromatic magic of the plant world. The rug collection features the geometric, unpredictable, and uneven shapes created by the open flow of nature in a forest, from a ray of light that filters through the leaves to the entwining branches and fronds that weave a unique pathway.
Moving Forest refers to the concept of ‘movement’ in a physical sense and as something that stirs our emotions. An imaginary forest that walks, dances, and becomes an environment where to fully immerse and connect with nature’s primordial forces.
The rug collection includes a model in G.T.DESIGN’s exclusive Native format: a rug shape with undefined borders, a hybrid lying between a circle and a square.
Moving Forest rug collection is realized in high performance technical yarns. Designed to bring together quality and durability, it is perfect for heavy footfall areas and houses with pets.
Dieses Produkt gehört zur Kollektion:
Produktdetails
Color
Farbe grau, Farbe mehrfarbig
Material
Synthetische Faser, Textil, Velours / Samtvelours
Vertriebspartner
Designer
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.