


In-Canto Acquerello Ecru-Platino
Architonic ID: 1530221
Einführungsjahr: 2017
IN-CANTO ACQUERELLO- Material: high quality viscose of bamboo- Structure: hand woven on traditional looms- Thickness: 8 mm- Colours: Ecru-Platino
Konzept
In-Canto Acquerello is a shimmering contemporary rug collection in bamboo viscose fiber with a seductive weave and a watercolor effect that brings warmth and light to space. This trendsetter in the design industry is produced with a modern manual weaving technique developed by G.T.DESIGN through years of textile research and experimentation.
The stunning rug captures the light with a magnetic weave that gives an unparalleled tactile and visual experience while seamlessly blending in its surroundings. The palette includes four color combinations, blending beige hues with bronze, platinum, blue, and rose shades.
Only 8 mm thick, In-Canto Acquerello is a lightweight yet plush rug with a classic yet contemporary design. It brings a minimalist touch and lightness to traditional interiors and softens and embellishes modern environments. Made in viscose fiber sourced from plant cellulose that doesn’t cause deforestation, In-Canto Acquerello is a vegan and sustainable rug that uses non-toxic and azo-free dyes.
Available in made-to-measure in widths of up to four meters and in a round version on request.
Dieses Produkt gehört zur Kollektion:
Grösse auf Kundenwunsch
Zu den Produktseiten dieser Varianten gelangen Sie – einfach anklicken!
Entdecken Sie die Katalogsammlung von G.T.DESIGN.

Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.