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Flat Out col 19
Über dieses Produkt
Architonic ID: 20776614
Einführungsjahr: 2024
FLAT OUT- Material: Recycled PET- Structure: hand woven on traditional looms- Thickness: 7 mm
Konzept
Flat Out is a new collection of outdoor rugs handwoven on traditional looms. Made from recycled and recyclable PET derived from the reuse of plastic bottles, this collection combines sustainability, elegance and practicality. The flat weave ensures high strength, while the technical yarn is developed to resist wear and tear, bacterial contamination and UV rays.
With a melange texture reminiscent of marble and sand, these contemporary rugs evoke nature. Available in four colorways, each rug is complemented by a matching border. Flat Out is also customizable in large sizes, with a maximum width of 4 meters, and in round shapes.
Where to use it: woven on traditional looms to ensure optimum strength, elasticity and versatility, Flat Out is suitable for frequent use and high-traffic environments, both indoors and outdoors. The high-performance technicalyarn, which is fully recyclable after a long life, makes this rug particularly suitable for environments with pets or exposed to moisture such as patios, poolsides, terraces or wellness areas.
Dieses Produkt gehört zur Kollektion:
Produktdetails
Color
Farbe braun
Material
PET, Kunststoff, Recycled, Nachhaltige Werkstoffe, Synthetische Faser, Textil, Velours / Samtvelours
Varianten
3
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Downloads
2
Entdecken Sie die Katalogsammlung von G.T.DESIGN.
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Designer
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.