Teilen



Teilen
Easy Sofa
Architonic ID: 20060499
SKU: 4331
Einführungsjahr: 2010
Easy
Always highly presentable the Easy range has soft but defined forms that stay neat and tidy. Ideal for reception and meeting areas, fashion boutiques, changing rooms and guest bedrooms you can rely on this design if you need a smart chair or sofa. Cleverly designed for contract and residential use, the Easy range looks polished from any angle and is frequently used by interior designers to divide large working areas into usable spaces.
Dimensions
Chair without arms: L700 × D765 × H715mm, SH410mm 20kg
Chair with arms: L790 × D765 × H715mm, SH410mm 25kg
Sofa without arms: L1350 × D765 × H715mm, SH410mm 35kg
Sofa with arms: L1440 × D765 × H715mm, SH410mm 40kg
Materials
Steel frame, CM (combustion modified) polyurethane foam, fixed non-removable upholstery cover (COM possible)
Colours
Frame: standard finish nickel plated, bespoke powder-coated RAL frame colours possible.
Upholstery options by Kvadrat:
Tonus 4- 47 colours, composition: 90% new wool, 10% helanca
Tonus Meadow- 24 colours, composition: 90% new wool, 10% helanca
Divina 3- 56 colours, composition: 100% new wool
Divina Melange 2- 24 colours, composition: 100% new wool
Divina MD- 27 colours, composition: 100% new wool
Hallingdal 65- 58 colours, composition: 70% new wool, 30% viscose
Hero- 28 colours, composition: 96% new wool, 4% nylon
Balder- 19 colours, composition: 68% new wool, 26% cotton, 6% nylon
Dieses Produkt gehört zur Kollektion:
Untergestell Metall, Metall

United States
2011: Public Architecture: The Art Inside, Curtis Fentress, ORO Editions. 2009: Iluminet internet lighting review, Mexico, February. 2009: American Craft Magazine, February/March. 2008: l’ARCA, Milano, Italy, #240, October. 2007: Dossier LighTech, Italy, April. 2006: l’ARCA, Milano, Italy, #219, November. 2006: American Craft, Aug./Sept. 2006. 2005: Glass Magazine, August. 2005: FLARE, Architectural Lighting Magazine, Italy, No. 38, April 2005. 2004: THIS SIDE UP!, Autumn. 2004: American Craft Magazine, June/July. 2004: Architectural Record, May. 2004: l’ARCA, Milano, Italy, #191, April. 2003: COLORFULNESS, Beijing, China, March. 2003: GLASS ART, January/February. 2003: The History of Stained Glass, The Art of Light Medieval to Contemporary, Virginia Chieffo Raguin, Thames & Hudson Ltd. 2002: Reflections on Glass, 20th Century Stained Glass in American Art and Architecture, American Bible Society. 2002: l’ARCA, Milano, Italy, #171. 2002, June: Designing the World’s Best Public Art, The Images Publishing Group Pty Ltd. 2002: Texas Architect, March/April. 2001: THIS SIDE UP!, The Netherlands, Summer. 2001: PUBLIC ART REVIEW, Spring/Summer2001. 2001: Ed Carpenter,Breath Of Light, l’ARCA Edizioni Publishers. 2000: Competitions, Winter 1999/2000. 1999: l’ARCA, Milano, Italy, #139, July/August. 1999: Visual Architecture 275, Vol. 35, Tokyo, Japan, March. 1999: Artisians Series: Glass, The Ivy Press Limited, Watson Guptill Publishers. 1998: l’ARCA, Milano, Italy, #132, December. 1988: Architectural Record, July. 1988: Architectural Record, June. 1998: l’ARCA, Milano, Italy, #127, June. 1998: Metropolis, May. 1998: Sculpture, April. 1998: Corporate Design, Tokyo Japan, March. 1997-1998: Muebles Y Decoración “X Año”, Gold Edition Magazine, Mexico City, A–o 11, No. 58. 1997: The Art Of Glass: Integrating Architecture And Glass, Stephen Knapp, Rockport Publishers. 1997: Architectural Glass Art, Andrew Moore, Rizzoli International Publications, Inc. 1997: Neues Glas, April (1/97). 1996: American Craft Magazine, June/July. 1995: Wisconsin Architect, March/April. 1995: Public Art Review, Fall/Winter. 1995: Architectural Record, May. 1994: Professional Stained Glass Magazine, June/July. 1994: Revista Del Vidrio Plano, #27, January/February. 1994: Architectural Digest, August. 1993: Stained Glass Magazine, Summer. 1993: Professional Stained Glass Magazine, October/November. 1993: New Glass Review, May, #14. 1993: Design And Living Magazine, Winter. 1992: Places, April. 1992: Architecture, June. 1992: 20th Century Stained Glass: A New Definition, Robert Kehlmann, Kyoto Shoin Co. Publishers. 1991: The Beauty Of Stained Glass, Patrick Reyntiens, Bulfinch Press. 1991: Art For Every Day, Edited By Carol Southern, Clarkson N. Potter Publishers. 1990: Sculpture, January/February. 1990: Professional Stained Glass, June. 1990: New York Times, July 12. 1990: Glasswork, August. 1990: Glass Art Magazine, January/February. 1989: Glass Art Magazine, September/October. 1989: Architectural Glass, Andrew Moore, Whitney Press. 1989: Architectural Digest, April. 1988: Stained Glass Quarterly, Vol. 83, #1, Spring. 1988: New York Times Magazine, May 1. 1988: New York Magazine, Winter. 1988: American Craft Magazine, June/July. 1988: America West, Vol. 3, #4, June. 1987: Dallas Morning News, November 24. 1987: Architecture, January. 1987: Architects’ Journal, London, October. 1986: New Glass Review, Corning, Museum. 1986: Neues Glas, April. 1986: Building Design Journal, August. 1986: Architecture Minnesota, January/February. 1985: Neues Glas Magazine, Dusseldorf, January. 1985: Kunst And Kirche, Darmstadt, West Germany 33. 1985: Arts And Architecture, Vol. 4, No. 1, May. 1984: New York Magazine, Winter/Spring. 1984: New Glass Review, Corning Museum. 1984: Building Design And Construction, March. 1984: Architecture, February. 1984: Architecture California, June. 1984: Architectural Record, June. 1983: Neues Glas, June. 1983: American Craft, June/July. 1982: A.I.A. Journal, June. 1979: Architectural Stained Glass, By Brian Clarke, A.R. Books. 1977: Los Angeles Times, Home Magazine. 1977: Art News, May. 1976: New Glass, By Otto Rigan, San Francisco Book Company.

United Kingdom
André Klauser and Ed Carpenter are two young, London-based designers, each with a series of impressive works under his belt. Together Klauser & Carpenter produce collaborative works as a design partnership although each also pursues individual projects. Carpenter originally trained as a sculptor at Kingston University before completing an MA in Design Products at the Royal College of Arts. Perhaps Carpenter’s most prolific work to date has been the ‘Pigeon Light’ produced for Thorsten Van Elten. Klauser studied Design at FH Münster before moving to London to work in Jasper Morrison’s studio, Office For Design. Klauser established his own studio in 2002 and has since worked on independent projects (such as the Mandi Chair, originally produced for Promosedia, now manufactured by Thorsten Van Elten). Klauser & Carpenter’s clients include Modus, Authentics, Thorsten Van Elten and Elmar Flötotto.