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Numini peak
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Numini peak
Über dieses Produkt
Architonic ID: 1362530
Einführungsjahr: 2016
production: industrial + artisanal
material: glazed homogeneous porcelain stoneware
numini: double charge gres porcelain
features: squared and rectified slabs each one exactly the same as the others
thickness: 10mm- Numini 6mm
Konzept
“Numi is made of signs, handmade signs, specific signs, imperfect signs which become black stroke’s geometries. The ceramic tile represents a small unit which, once multiplied, turns into something larger than the sum of its parts”
Numi marks the beginning of the collaboration between Mutina and the German designer Konstantin Grcic. For the first time, Grcic has to deal with the ceramic surface and presents a book about research and inspirations with a very strong appeal to contemporary art. “Ceramic! Working at my very first collection for Mutina, I’ve come to value the beauty of this simple and ancient material. A lump of clay that becomes floor, coating. The idea of matter as something composed of so many units, is really fundamental. A philosophical concept as much as a biological fact. The ceramic tile simply represents this: a small unit which, once multiplied, turns into something larger than the sum of its parts.” Konstantin told us.
Numi is made of signs, handmade signs, specific signs, imperfect signs which become black stroke’s geometries, sublimated through delicate contrasts and interpreted on a “soft” cement with natural and dusty pigments. Precise signs slowly become well-defined geometries, express through transparent and shiny patterns realized on a matt surface, creating delicate contrasts among matters.
Produktdetails
Color
Farbe braun, Farbe uni / einfarbig
Material
Keramik, Feinsteinzeug
Design-Dateien
16
Vertriebspartner
Designer
Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.
