


Boolean
Architonic ID: 20767406
Einführungsjahr: 2024
Das von Giuseppe Viganò entworfene Sofa Boolean fordert die traditionellen Standards des zeitgenössischen Designs heraus, dank der harmonischen Verschmelzung zwischen einem anschmiegsamen Design und einer linearen Silhouette, die die Aufmerksamkeit auf sich zieht. Boolean ist mehr als nur ein Einrichtungsgegenstand: Es ist eine zeitlose Oase des Stils und des Komforts, die das Ambiente in eine Umgebung der reinen Entspannung verwandeln kann. Seine Ästhetik zeichnet sich durch die Wesentlichkeit der Formen aus, die gekonnt durch ein Spiel von Überschneidungen bereichert werden und den weichen, kuscheligen Sitzkissen einen modernen Charakter verleihen.
Was das Boolean Sofa jedoch wirklich einzigartig macht, ist das Kernelement des Gestells: eine brückenförmige Basis, die in Nussbaum Canaletto oder Eiche kohlefarbig erhältlich ist und die Polsterung in Längsrichtung durchquert, um ihr Volumen zu modulieren und so ihren Charakter und ihre starke szenische Präsenz zu unterstreichen.
Diese Kreation ist die Synthese einer technischen Virtuosität, die schon in der Entwurfsphase den Akzent auf die Details legt, die mit dem handwerklichen Können von Bonaldo interpretiert und ausgeführt werden.
Dieses Produkt gehört zur Kollektion:
Untergestell Massivholz, Massivholz, Holz

Italy
Giuseppe Viganò began his career in the field of interior design by working for prestigious showrooms in the Brianza area. His skills quickly led him to become an art director, taking on responsibilities such as organizing retail spaces, selecting products, designing displays, and managing staff. It was through this experience that Viganò came to understand the tastes, needs, and preferences of clients, allowing him to shape his own vision of design. In 1988, he began working independently, and in 2012, he founded Studio Viganò in Lissone, in the province of Monza-Brianza. Viganò's work spans various areas of design—not limited to furniture design alone, but also extending to concept development, communication, temporary installations, and interior design. From his early work experiences, Viganò developed a keen ability to observe and draw inspiration from his surroundings. In an interview, he stated: “Everything that strikes me is, in some way, a source of inspiration for me. Every form of art is included in this: from architecture to literature, from fashion to music. After all, isn’t design an act of poetry?” A passionate admirer of the visual arts, Viganò sees the use of new materials as an opportunity—a moment for knowledge and creative exploration. According to Viganò, a good industrial design project must be based on three principles: Affinity – the object should reflect the personality of the buyer. Functionality – the object must meet the needs of the user and be designed to provide a solution. Cost – it should be consistent with what is being offered. His style can be described as eclectic, always attentive to societal changes and focused on addressing the needs of contemporary living. From this perspective, he leads his team in seeking formal and functional responses to collective needs, creating elegant yet never conventional objects and environments. Viganò has many ongoing collaborations, both in exhibit design—often featured at the Salone del Mobile in Milan—and in product development. Notable brands he has worked with include: Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati & Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Estel, F.lli Longhi, Frighetto, Gamma International, Horus, Ivano Redaelli, Lema, Minotti, MisuraEmme, Porada, Saba Italia, Rivolta, Tappeti Artexa, Tisettanta, Turri, LiuJo Living Collection, YDF, Reflex, Twils, MEMEDESIGN, and Morelato. His Ellipses chair, designed for Bonacina Pierantonio, was nominated for the ADI INDEX 2010 selection for the prestigious Compasso d'Oro ADI Award.