Almora stool
Architonic ID: 1256676
Konzept
Named after the Indian region that offers a breathtaking view of the Himalayan Mountains and, quoting its designers, it longs to be “a haven from the world, a place for contemplation and reading from where one can admire magnificent snow-capped peaks. As protective as a second skin, enveloping like a soft blanket.” ALMORA belongs with full rights to the type of armchairs that play the protagonists at home, as they offer relaxation and evoke symbolic meanings associated with warmth, the nest, the womb and hospitality. ALMORA includes two frames, one for the seat and one for the back, both conical and made of white painted plastic. They are placed on a swivel base with five spokes in cast aluminium. A third element is the headrest made of curved oak wood padded on the inner side. Inserted into the chair back, it gives the impression of being slightly detached. The most interesting formal feature lies in the balanced composition of the various elements, materials and covers that can be upholstered in fabric, leather and shearling.
The superimposed headrest, back and seat are piled on an invisible mechanical joint. Every detail is studied like a tailor-made garment. An ottoman with round base and partly padded curved wooden seat acts as a footstool.
Almora marks the debut of a new partnership between B&B Italia and the London-based firm Doshi Levien, which was established through the partnership formed between Nipa Doshi of Indian origin and Jonathan Levien, from Scotland, both graduates from the Royal College of Art.
They have distinguished themselves over the past decade for their original approach, which converges technology and craftsmanship, artistic vision with a multi faceted cultural outlook.
Dieses Produkt gehört zur Kollektion:
United Kingdom
Doshi Levien was founded by the designers Nipa Doshi and Jonathan Levien, who met at the Royal College of Art. The London-based studio is internationally renowned for its marriage of culture, technology, industrial design and fine craftsmanship. Nipa grew up in India and studied at the National Institute of Design, founded on the manifesto by Charles and Ray Eames; Jonathan trained in fine cabinet making followed by industrial design. Together, they strive to create work that transcends rational and functional qualities, to imbue a sense of true inner beauty in their projects. Nipa’s practice is rooted in her plural upbringing and astute eye for visual culture; and Jonathan’s in industrial precision, combined with the sensibility of a maker’s hand and deep understanding of materials. The layering of research, materiality, and the tactility of their design process – painting, sculpting, colour making – result in work that is distinguished by their clarity of ideas and seemingly effortless attention to detail. What makes Doshi Levien’s work so distinctive is not just their confident relationship to colour, material and form, but their ability to translate meticulous design ideas to the context of production. This has enabled them to work coherently across industries and categories, from colour to textiles, footwear to lighting, furniture to ceramics, often bringing their understanding of one process to their work on another. The duo have created works for leading manufacturers (B&B Italia, Moroso, Kvadrat, Kettal, Cappellini…), for prestigious international museums and cultural institutions (notably Sevres – Cité de la Céramique), and for their Paris-based gallery: Galerie Kreo.
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