


Aquatik 5657 Laminate Print HPL
Architonic ID: 1072409
Konzept
Karim Rashid has designed for ABET LAMINATI Collection Digitalia, a new collection of 27 décor in digital print.
Aquatik, Bleep, Morph, Replicant, just to mention some of them, are bright and colourful décor that seem to produce optical illusions. The new décor and graphical lines by Karim Rashid are able to stimulate the imagination and charm the observers, creating different modular schemes and thus provoking an effect of instability. According to Karim Rashid, human experience, social behaviours, economical and political problems and the interaction between mind and body can influence design.
Karim Rashid in his Karimanifesto reveals his wish to see people live in the modus of their time and participate in the contemporary world, people that will be able to release themselves from nostalgia, antiquated traditions, old rituals, from what is kitsch and meaningless.
Karim declares that “if human nature is to live in the past, to change the world is to change human nature”: to reach his goal he provides contemporary people with strong impressions, shapes, images, signs, lights and colours. Even within the new collection for ABET LAMINATI, the most popular designer describes his philosophy: to arouse feelings and emotions.
"New decorative meanings have surfaced. Once decoration spoke of ritual, religious iconography, or spiritual images- now I am interested in it speaking to us about our new spiritualism the spirit of the digital age with my COLLECTION DIGITALIA by ABET LAMINATI.
Decoration needs a revisit in our product and architectural landscape to communicate our milieu, our time. I think the digital age has a new language- a vernacular I refer to as the Infostethic, the aesthetics of information.
I also call this period Digipop, a graphic movement that has its roots in the computer age and is driven by digital technology. The premise is using new tools to create complex 2-d graphic work that has a perception of 3-d. A characteristic of the movement of graphic design and application and the use of composition techniques only made possible through the use of new technologies and software. The new movement of techno graphics is creating a landscape that is hypertextual, hypergraphic, hypertrophic, and energetic."
Karim Rashid
Laminate sheet 130 x 305 cm
Farbe violett / rosa
Kompaktlaminat, Verbundwerkstoff, HPL High Pressure Laminate
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United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.