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Architonic ID: 1546399
SKU: Mod. 1950-12
Bekendstellingsjaar: 2018
Armchair. Seat shell in plastic in the colours black or white. Upholstery in various textiles and colours combined with the seat shell. Metal structure in chrome or black powder coated.
Konsep
As a traveller one has come to appreciate the benefits of plastic shell suitcases. They are extremely light and flexible, yet strong and good looking. Suitcases made of thin vacuum-formed plastic sheets have revolutionised an entire product species. As a furniture designer I was struck by the ingenuity of this technology, considering how appropriate it was to the production and performance of modern chair shells. The creative potential seemed obvious. However, translating it into a successful formula for a chair took time and learning. With CUP we have developed an elegant geometry for the shell, which combines structural strength with a high degree of flexibility and lightness. The upholstered inside of the shell adds a well-balanced ergonomic quality to the chair, making it a perfect choice for conference situations, waiting and dining areas. The shell in black or white plastic can be combined with an infinite range of fabrics and colours, depending on whether it has to blend with the environment or to be the protagonist (Konstantin Grcic).
Lounge tables. Metal structure in chrome or black powder coated. Table top in high pressure laminate (HPL) in various finishings and colours.
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Produkspesifikasies
Material
Base metal, Metal, Plastic, Seat plastic
Variante
2
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Ontwerplêers
21
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Ontwerpers
Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.
