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Architonic ID: 1530201
Bekendstellingsjaar: 2001
KAMA- Material: high quality viscose- Structure: hand woven on traditional looms- Thickness: 15 mm- Colour: Argento Vero
Konsep
Kama was introduced by G.T.DESIGN in 2001 revolutionizing the contemporary rug industry and becoming part of the history of design. The first rug to use a sumptuous and wild hand-woven viscose fiber, Kama captures the light and let it fluctuate on its weave.
A design of Deanna Comellini, the groundbreaking rug features the highest quality of the reflective fiber to create a thick yarn with a unique brilliance, softness and color depth. The dope dyed yarn is hand weaved on traditional looms and cut in irregular technique, making the luxurious rug so seductive that it is named after the Indian God of Love.
Bringing a sensorial feel to interior design, Kama takes center stage in any space, shifting the perception of rug design from accessory to essential element in interior design. A timeless favorite of star architects and included in prominent design brands project, Kama is offered in a wide range of sizes and vibrant colors.
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3
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Ontwerpers
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.
