Deel
Druk
1/5
Broadway
Oor hierdie produk
Architonic ID: 1564243
Bekendstellingsjaar: 2018
With its turned siderails pointing upwards as horns the lounge chair Broadway makes a strong statement. This is a chair that won Torbjørn Afdal a gold medal at the craftsmanship fair “So Wohnt Europa” in Munich in 1959. Afdal graduated from the Norwegian National Academy of Craft and Art Industry in 1946 and worked his whole career for the legendary Tegnekontoret Bruksbo. He designed the chair with extreme attention to detail; the shape and transition between legs and armrest is beyond words.
Material options wood: soaped oak, white oiled oak, oiled oak, black lacquered oak, oiled walnut. Material options leather: protected leather, semi-aniline leather and aniline leather.
NB! It's possible to order other surface finishes and different leather for projects.
Dimensions: Total width = 676mm, Total depth = 680mm, Seat height = 400mm, Armrest height = 532mm, Total height = 760mm
Hierdie produk behoort aan die volgende versameling:
Produkspesifikasies
Material
Base solid wood, Leather, Seat leather, Wood
Ontwerplêers
3
Verspreiders
Ontwerpers
Torbjørn Afdal
Norway
Torbjørn Afdal (1917-1999) Torbjørn Afdal is among our most gifted and productive furniture designers. After graduating from the Norwegian National Academy of Craft and Art Industry in 1946, he spent his career with the legendary Bruksbo Tegnekontor, who for three decades were one of Norway’s leading design offices for quality furniture. They created models for dozens of furniture manufacturers, and in the mid-1960s a large percentage of Norwegian furniture exports were designed by Bruksbo. Afdal got recognised internationally as a highly skilled designer, he was awarded with a gold medal for the lounge chair Broadway at the Deutsche Handwerksmesse in Munich 1959. Among those who purchased Afdal’s design were First Lady Jacqueline Kennedy and the Japanese Emperor, and he later designed the office of Norwegian Prime Minister Gro Harlem Brundtland. His work is characterized primarily by a refined understanding of material and form. Afdal had a combination of art and tradition in his work, with a talent of utilizing the natural possibilities of wood. Around 1955-65, Afdal’s furniture design gained a more crafted feel, the armchair Broadway together with the hunting chair Hunter was his artistic highlights. Many of his products are true classics and deserves to be revived.
