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Design Collage of the 20th Century
Such a stylish and lovingly designed facility as Korea's aA Design Museum can probably only be created if a real enthusiast is involved.
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Triennale di Milano
It's not just because of its dominant architecture – the Palazzo dell’Arte was designed early in the Thirties by Giovanni Muzio– but also because of its historic past that the Triennale has, for many years, been an especially popular location for exclusive design and architectural exhibitions.
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StokkeAustad
Since 2004 Øystein Austad and Jonas Ravlo Stokke have formed the design team StokkeAustad, which is based in Oslo. They only opened their design studio last year, although their successful cooperation began during their studies at the 'Oslo School of Architecture and Design'.
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New Walls, Please!
For some years now wallpaper has been celebrating a major revival. Thanks to intelligent materials, new methods of processing and a return of the readiness to risk more graphic wall design, wallpaper is becoming a favoured projection surface for artists, architects and designers.
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Golden moon surfaces
The designer Alexis Oehler works in the heart of Berlin's Kreuzberg district, but the romantic impression given by his workshop is contradicted by the hardness and roughness of his preferred material, which normally tends to evoke associations of depressing concrete housing blocks.
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Re- strung
A simple cord becomes a complex shape, a line circumscribes a space – furniture and lamps with laced seats or lampshades originated in the nineteen-fifties, and today some of these constructivist pieces have attained cult status.
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Cool & Fresh 2008
This year the Salone Satellite was once more on show in its own pavilion. Set a little apart from the general hustle of the fair, it welcomed visitors with a very pleasant, airy atmosphere – which of course can't be compared with the grandeur of the hall on the old fair site. At least this year's slogan of 'Go green!' was in line with the simple temporary architecture. The official press release spoke of a greenhouse in which 'budding designers can blossom' and 'an explosion of green' is unfolded. Has the influence of Stockholm's 'Greenhouse' perhaps spread this far south?
Regardless of the slogan, the eleventh Satellite left an inspiring and positive impression. Many international designers came up with daringly staged presentations which were a joy to behold. This year it was the Finnish designers who made the greatest impression, and the products they presented demonstrated a corresponding level of quality and potential.
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light + building
This year's light + building successfully defended its position as the top trade fair in the lamps and lighting systems sector. In spite of the many international manufacturers who displayed their products and the large masses of visitors, the organisers succeeded in keeping the exhibition manageable and well structured. In addition to the stands of well-known established manufacturers, it was in particular the work of a number of smaller young suppliers who were presenting their products for the first time which caught the eye.
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Projekt Vitra
The title of the book says it all. What we have here isn't a product catalogue but a rich collage of texts, photographs, sketches, types of paper, layouts and dictionary-like lists of the designers and architects who have worked for and with Vitra in the past and will continue to do so in future.
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Greenhouse in Stockholm
Like on many other furniture fairs also in Stockholm the exhibition of young designers is a relevant part of the programme. In cosy atmosphere – the exhibition was designed by the swedish studio TAF – international talents present their work.
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